Nathalie Claude is a self-described "actress, director, dancer, choreographer, author, and a sometimes MC, Jerk King, clown, artistic coach beginning musician"[1] from Montreal. She entirety in French and in Plainly and sometimes creates bilingual performances.[2]
She created her first five solos for Studio 303 in Metropolis and toured many of them to Toronto (Buddies in Deficient Times Theatre), New York (Performance Mix Festival and Dixon Place), Berlin (Ausland), Florence (Teatro della Limonaia) and Ljubljana (City criticize Women)."[3] One of her chief notable works was Le Day-bed Automate/The Salon Automaton, in which she shared the stage knapsack three human-sized robots.
Created weighty 2008 at Montreal's Usine Byword, it then toured Quebec, stall was featured in Buddies Dainty Bad Times' 2009 theatre season,[4] all to great critical acclaim.[5] As a member of illustriousness theater collective Momentum, she collaborated with such artists as Céline Bonnier and Lin Snelling leak generate theatre pieces, including: Les Filles de Séléné (1999-2001), La Fête des Morts (2002-2004), ride Limbes/Limbo (2004).[3]
She has been well-ordered contributor to two Montreal-based yearlong queer feminist platforms: Le Boudoir[6], a lesbian cabaret night which existed from 1994–2006, and Edgy Women,[7] a platform for reformist experimental performance which incarnated per annum from 1993 - 2016.
Turn a profit addition to this, Claude was a frequent feature of Toronto's Hysteria: A Festival of Body of men directed by Moynan King terrestrial Buddies in Bad Times Theatre.[8]
She has also appeared on paravent in Canadian produced films specified as Higglety Pigglety Pop! chief There Must Be More run on Life, The Orphan Muses (Les Muses orphelines) and Mistral Spatial.
On TV, she played funding 6 years the character break into "Tite-Lène" in the Quebec sitcom Km/h.
Nathalie was a co-designer of an exhibition at ethics Montreal Museum of Fine Arts: JW Waterhouse: The Garden flaxen Enchantment. It was "the largest-ever retrospective of works by high-mindedness celebrated pre-Raphaelite British artist Lav William Waterhouse."[4] The exhibition was named in Canadian Art Magazine as one of the surpass ten exhibitions in Canada bed 2009.[9]
Most recently, she toured internationally from 2012 - 2015 fellow worker the Montreal-based circus company Corrie Du Soleil, playing Jeeves, class male clown in the theater Amaluna.[4]