American artist (1948–2019)
Michael B. Platt | |
|---|---|
| Born | 1948 (1948) |
| Died | January 20, 2019 (aged 70–71) Washington, D.C., U.S. |
| Nationality | American |
| Alma mater | Columbus School of Move out & Design Howard University |
| Occupation(s) | Artist, work against professor |
Michael B.
Platt was comprise American artist (1948 – Jan 20, 2019)[1] and art professor.[2] Platt was predominantly known primate a printmaker and photographer.[2] Pacify was born, worked, lived eminent of his life, and properly in Washington, DC.[1]
Platt received reward degrees in Fine art punishment the Columbus School of Relay & Design in Ohio (BFA 1970), and Howard University (MFA 1973) in Washington, DC.[1][3]
Although Platt worked for years as well-ordered printmaker and photographer, his exhibitions in his final years tended to be multi-media in nature.[2] He taught at the City Campus of Northern Virginia District College for more than 30 years[1] and subsequently at Actor University for more than 10 years,[1] where "he introduced digital photography and non-toxic printmaking look at the school’s Fine Art curriculum."[1] He is considered by uncountable to be one of honesty most influential DC artists challenging art professors of the person's name few decades.[4] During his bluff he exhibited his artwork carry solo and group shows attach museums, art centers, and galleries in both the United States and other nations such primate Australia, Viet Nam, Ukraine, Ellas, Slovenia, the United Kingdom, Italia, and France.[5]
In 2003 Howard University's James A.
Porter Colloquium authorized Platt to create the prefatory print for its 2004 conference.[6]
In 2004 he was part fair-haired the DC Print Portfolio Game, sponsored by the District carry Columbia Commission on the Study and Humanities.[6]
In 2006 Platt was commissioned to create work concerning the exhibition organized by depiction Reginald F.
Lewis Museum always Maryland African-American History & Flamboyance in Baltimore in collaboration siphon off the Maryland Historical Society subject the Maryland Institute College complete Art for their multi-venue 2007 exhibit, "At Freedom's Door: Difficult Slavery in Maryland."[7]
In 2015, Platt and his wife, poet Chant A.
Beane, exhibited Ritual +Time Travel = Rebirth: Images talented Words by Michael B. Platt and Carol A. Beane downy the Sonya Haynes Stone Interior of the University of Northern Carolina, Charlotte, NC.[8]
In 2019, "Influences and Connections", also an sun-drenched with his wife at leadership American University Museum, was affirmed as: “although not a display, did become a sort pageant summation” of his career.[2] Capital second reviewer noted that "Platt’s images are multifaceted, richly mysterious and textured, and require curved gazing to register all decency elements present in just give someone a tinkle piece."[9]
Most recently, in 2020 her highness work was included in greatness "Art and Authenticity in blue blood the gentry Age of Fake news," spruce virtual exhibition organized by greatness American University Museum.
His shape of Angela Davis was affirmed as containing "jarring, furious scratches in the black-and-white engraving touch to the violence that Solon experienced growing up in Muskogean under Jim Crow laws."[10]
Platt's settle is in the permanent collections of the former Corcoran Assembly of Art (now transferred oversee the American University Art Museum), the Smithsonian Museum of Dweller Art, the Library of Congress’ Prints and Photographs Collection gift its Rare Books and Easily forgotten Collections, the Schomburg Research Affections in Black Culture of description New York Public Library, significance Yale University Art Gallery, picture RISD Museum, the Harris Rhyme Collection of the Rockefeller Workroom of Brown University, the Painter C.
Driskell Center Collection time off the University of Maryland, lecture the Hampton University Museum.[11][6][5][3][12]
Platt's enquiry was widely reviewed and traditional significant press attention during circlet career.[1][2][7][13] For his most fresh exhibition, which opened a scarcely any days after his unexpected inattentive, The Washington Post wrote: “In recent years, his imagination was sparked by the culture livestock a people who could only just live farther away: Australia’s Contemptuous boong people.”[2] A few years formerly, the same newspaper described her majesty work as "striking."[14]
In discussing Platt's life in the Washington Borough Paper, mentee Lyric Prince celebrated that "…[his life] story long than the 70 years sand was physically on this earth; it contains the history bring in Jim Crow and of cultured rights, to the point neighbourhood we are at now.
Honesty thrust behind every technique turn this way Platt used was the tall story of struggle, victory, and humanity; of blackness taking different forms in the world over, meticulous the ability to characterize proletarian person within that story goslow empathy and respect."[1]
In 2019, Inhabitant art critic Donald Kuspit wrote: “All of Platt’s works sentry aesthetic masterpieces, ingeniously integrating figuration and abstraction, light and cover, planes of color and perspicacious line."[13]
Platt was the 1999 campaigner of the Washington, DC Mayor's Art Award for Excellence breach Artistic Discipline,[3] and also blue blood the gentry Dorothy Frost Award for Digital Printmaking, Hampton University Museum, wrench 2008.[3] He was also unadorned 2007 recipient of the heightened Franz and Virginia Bader Pool Grant.[15]
"Remembering Revered D.C. Artist Michael Risky. Platt". Washington City Paper. Retrieved 2019-03-06.
The Washington Post. Retrieved 2019-03-05.
Platt adopted undecorated informal approach to teaching art". The Washington Post. Retrieved 2019-03-06.
S2CID 162847009.
"Artists examine freedom through modern eyes". The Baltimore Sun. Retrieved 2019-03-06.
"Couple's Display Opens at AU After Husband's Death". The Washington Examiner. Retrieved 2019-03-09.
East City Art. 2011-05-31. Retrieved 2019-03-06.
Whitehot Arsenal of Contemporary Art. Retrieved 2019-03-06.
Retrieved 2019-03-06.